Sunday, April 24, 2011

The Final - Ten Revelations

1.)

I never really thought about the Internet in this way until I read this quote from the book: "The television, radio, or Internet audience can press a button, turn a dial, hit a key, or click an icon to move to something else if it doesn't like what it sees or hears” (Hilliard, 2). Hilliard’s point here is that people who consume media on the Internet platform have the control. On the Internet, it is the consumer that decides what to read or watch and how it affects them. When you watch T.V., sure, you get to change the channel if you don’t like a program, but when you’ve gone through a hundred channels and you’re back where you started, you really only have the ability to watch what networks want you to watch. That being the case, Internet viewers can shut you off whenever they want; if what you say bores or offends them, they are just a hyperlink away from a more captivating page. This means you have to be extra conscious about what you say and how you say it on the Internet because you want visitors to your site to stay interested in your content, stay on the page for longer, and come back. The video above is the about video for StumbleUpon.com which I believe encompasses what I've just said. StumbleUpon allows you to like and dislike certain pages on the internet, giving you only what you want to see.

2.)
http://www.hyperlinks.com/images/hyperlink/hyperlink_385x261.jpg

"The writer for cyberspace is in the center of a creative universe, able to reach out to an infinity of space and time to integrate a limitless number and variety of...emotional and intellectual stimuli" (Hillard 46). This means that where a script writer writes from start to finish, an internet writer starts at one point, and as soon as the first idea is complete, more ideas "link" to it and more ideas "link" to previously formed ones and complete a web of possibilities for the interactive audience to choose from. I like this excerpt because it reminds me of what I think is the greatest thing about the Internet: the ability to provide external information to your viewers simply by including a hyperlink, and how simply doing that could keep someone on the internet occupied for hours.

3.)

On 61, Hilliard says to use the present tense. "It would be grammatically correct to say 'Last night another rebel village was destroyed by the Army and many women and children were killed', but it would be more effective, as well as grammatically correct, to say, 'The Army destroyed another rebel village last night and killed many women and children." This really hit home with me because it reminds me that it not only matters what I say on my blog, it matters how I say it. Although I’m not really sure why the present tense is more effective than the past tense, I do know that it is a technique that broadcasters use all the time, and if the news stations don’t know how to manipulate their words, no one does. It is something to keep in mind for me in the future: asking myself “is there another way I could say this that would be more effective?”

4.)
http://cdn.theatlantic.com/static/mt/assets/science/dreamvacation.jpg

 People today who write commercials have it a little harder than they used to. Before the Internet, commercial writers only had certain considerations to follow when writing a commercial script. Things like how many words could fit into the time slot, who their audience was, what message they were trying to get across, what programs aired before and after the commercial…Nowadays, commercial writers have to think about all of those things and in addition, try to make the commercial work for the Internet as well. When creating a commercial for multimedia, like that it will not only air on television but on websites, you have to consider all sorts of other things. Viewing a commercial on the internet is different because the video is smaller and so are words, the video is streaming which you don't account for on television, and the reading on a large television is quite different than on, say, a 400px by 350px YouTube player.

5.)

“Sometimes, especially in small independent stations with limited field resources, you can find yourself short of visuals for a given news show. Stock footage, still pictures from the morgue…” Material for stories comes from a variety of places. Phone calls, the internet, personal interviews, and especially the "morgue" of all past stories and evidence that news organizations keep like a library for perusal and are helpful for gathering information to build a news story. Encyclopedias, Atlases, and History books on certain regions are also common necessities that a writer uses to check their facts. Cameron wrote: “Using a Morgue seems unethical for the news and especially for broadcast news. Stock footage can be very easily used for nefarious purposes. However for a piece to be gripping you do need a visual hook to dig in to the viewer.” I find his point incredibly true. I don’t personally think that it is okay for the news to use past generic footage to play as the backdrop when newscasters are talking. It’s just so dishonest and not a lot of people know or can tell if it’s just old footage.

6.)
http://www.popstarsplus.com/images/PlanetEarthDVDCover.JPG

 "Some practitioners consider the documentary the highest form of the news and information art. A good documentary can have a profound influence on social, political, or economic developments." - Hilliard 194 From personal experience, this makes sense to me because I think that news in a documentary form is much more interesting and therefore effective. At the same time, I think the section on documentaries in the book really sucked because this whole time, my whole life, I thought that documentaries are nothing but the truth. My whole life I have basically taken everything documentaries have said and swallowed it whole, not realizing that documentaries have creators with motives just like everything else, and it doesn’t mean that the truth isn’t manipulated a little bit.

7.)

 When you conduct an interview, it’s not actually to learn more about them. Hilliard notes on 273 that it is important to gather as much information about your interviewee beforehand so you can ask questions that go deep and encourage them to speak. It’s not, “How long have you been doing the Carol Burnett Show?”, it’s “You did the Carol Burnett Show for eleven years. Will you ever do another television series?”. I’ve had to conduct a few mock interviews for classes along the years and if I would have understood that, I bet my interviews would have been more successful. This is really a very important thing to know about interviews, if you are ever going to have to be an interviewer.


8.) “Cartoons may have dramatic plots or sequences, but they are by and large written on a very low level, filled with violence and sexism, and in many cases are merely program length commercials, some with the entire cartoon centered around the toy that the advertiser is trying to sell to the children” (Hilliard 381). How often do you hear people reminisce about the old cartoons I believe Hilliard is referring to? Yosemite Sam, Elmer Fudd, and Road Runner might have been violent, but they are better than the crappy animated cartoons on t.v. today. Yes, I am using one of my meditations to show you a classic clip.

9.)
http://www.cartoonstock.com/newscartoons/cartoonists/bst/lowres/bstn38l.jpg

“The two major objectives most programs have are: that of the client of management and that of the target audience. Demographics are an important factor in determining what appeals to your target audience.” I said that for Chapter nine and I’m choosing to elaborate on it here. Although I understood this makes sense in television and radio, I did not get how a company was able to determine the demographics of their audience on the Internet. Then I logged onto Facebook and realized that we are teaching the machine which advertisements to show us. All on my Facebook page, the ads were Vermont related, skateboard related, or college related. “We are teaching the machine” (the Machine is Us) is my all time favorite media related video.

The video I blogged about. 

10.) “…You don’t know anything, other than what you have been told. So be honest about who told you.” – Philip Lerman 252. Just recently I started a blog and have been posting every day. I’ve made great progress establishing myself so far, but one of the biggest drawbacks is experiencing the first time someone used something of mine on the Internet without permission. A website similar to mine but with a huge fan base recently posted a blog entry with exact content I wrote. Word. For. Word. It was a contributor, not the owner, but obviously someone who doesn’t understand copyright or think I would catch her. So yeah, after being initially flattered that I was noticed by such a big website, I got pretty hung up about it and that is the final thing I’ve learned from blogging and writing for an electronic audience. “…You don’t know anything, other than what you have been told. So be honest about who told you.”

Monday, April 4, 2011

Joaquin Phoenix on Letterman Interview, Two Minute Online Script


[starts at 0:15 seconds, ends at 3:17]
M.S. LETTERMAN AT DESK, READING NOTE CARD, TALKING. (PHOENIX BEHIND STAGE WITH MIC. ON, NOT SUPPOSED TO BE TALKING, BUT HE DOES.
Clapping in background.
Letterman: “Our uh, first guest, is a uh how about this two time academy award nominee and he’s in a brand new film entitled Two Lovers, I saw this movie uh I   think last week. What a lovely movie.” Phoenix: “It’s a nice movie.” Letterman: “What a fine piece of work. You see a lot of stuff coming out of Hollywood people that make movies see a lot of junk, frankly,” 
Laughter from studio audience.
Letterman: “You see a lot of stuff that just kind of makes you confused and queasy”. 
Laughter from studio audience. 
 Phoenix: “I understand.” Letterman: “This was just a lovely, very nice, well acted, uh interesting story, uh very insightful, beautifully done film.” Phoenix: “That’s nice.” Letterman: “Two lovers is the name of the film. And it opens on Friday in selected cities, I just pray to god your city has been selected.”
Laughter from studio audience. 
Letterman: “Ladies and gentlemen, say hello to the very talented Joaquin Pheonix”

W.S. PHOENIX WALKS INTO SHOT, SHAKES HAND WITH LETTERMAN.
Clapping in audience and live introduction music. 
PHOENIX WALKS IN AND SITS DOWN.
Clapping in audience and live introduction music continues. 
W.S. PHOENIX AND LETTERMAN AT DESK.
Clapping in audience and live introduction music dies down. 
Letterman: Thank you very much for being on the program again you know it’s been three years since the last time you were on the show and I will just say right off the top here you look different than I remember you.” 
Laughter from studio audience.

C.U. OF PHOENIX. HE NODS.
Letterman: “You’ve got the nice beard going and”
Phoenix: “Oh yeah, thank you.”
Letterman: “How is that, the beard?”
Phoenix: “in what way?”
Laughter from studio audience.
Letterman: “well is it comfortable?”

W.S. OF THEM BOTH AT DESK.
Letterman: “Are you pleased with it?”
C.U. OF PHOENIX. 
Phoenix: “I’m okay with it but now you’re making me feel weird about it”.

W.S. OF THEM BOTH AT DESK.
Laughter from studio audience.
Letterman: “I’m sorry, I’m making you feel weird about it?”
Phoenix: “Is there something wrong?”
Letterman: “I can’t be the first one to make you feel weird about it.”
Laughter from studio audience.

C.U. OF PHOENIX. SCRATCHES HIS FACE.
Phoenix: “No, I guess not.”

W.S. OF THEM BOTH AT DESK. LETTERMAN SCRATCHES HIS FACE. PHOENIX LOOKS DOWN THE WHOLE TIME, DRINKING FROM MUG.
Letterman: “See that’s what I’m talking about do you do a lot of this?” 
Phoenix: “That’s just a nervous tick I think.”
Letterman: “Oh just a nervous tick. Uh you know I saw this uh-”
Laughter from studio audience.
Letterman: “I saw this movie the other night, tremendous. What a tremendous film. You and uh who else is in it, what’s her name. Beautiful lovely”

C.U. OF PHOENIX. 
Phoenix: “Um”
Letterman: “Gweneth Paltrow”
Phoenix: “oh yeah Gweneth Paltrow, Vanessa Shaw...”
Letterman: “Very nice movie, and uh...”

W.S. OF THEM BOTH AT DESK. PHOENIX LOOKING DOWN THE WHOLE TIME, LOOKS UP WHEN LETTERMAN COMPLIMENTS HIM.
Letterman: “you don’t see movies like this much anymore and I was so gratified to see it and you were terrific in the film, I really enjoyed your work.” 
Phoenix: “Thank you.”
Laughter from studio audience.

C.U. OF PHOENIX. PHOENIX IS FIDGETY.
Laughter from studio audience.

W.S. OF THEM BOTH AT DESK.
Laughter from studio audience continues.

C.U. OF PHOENIX. 
Laughter from studio audience continues.

W.S. OF THEM BOTH AT DESK. PHOENIX IS FIDGETY.
Laughter from studio audience continues, and then later dies down.
Letterman: “Uh what uh, what can you tell us about your days with the unibomber?
Laughter from studio audience.

C.U. OF PHOENIX. HE LOOKS AROUND.
Laughter from studio audience.

W.S. OF THEM BOTH AT DESK. PHOENIX IS FIDGETY.
Letterman: “It’s just a little joke.”

Monday, March 21, 2011

Charlie Brooker's How to Report the News





W.S. CHARLIE AT NEWS DESK IN STUDIO.
High Beeping Noise.
“Before long a standard news report visual language established itself, one that immediately recognizable to anyone, me has this report.”

W.S. OF CITY BUILDING, SLOWLY ZOOMING IN.
V. O. “It starts here, with a lackluster establishing shot of a significant location.”

W.S. OF CHARLIE IN A BUSY HALL, WALKING TOWARDS THE CAMERA AS HE TALKS.
Background noise of people bustling. 
“Next a walky-talky preamble from the altar, pacing steadily towards the lens, punctuating every other sentence with a hand gesture and ignoring all the pricks milling around him, like he’s gliding through the fucking matrix, before coming to a halt and posing a question. What, comes next?”

FADE TO PEOPLE WALKING ON A BRIDGE TOWARD CAMERA ON GROUND.
V. O. “Often something like this, a filler”

FADE TO PEOPLE WALKING ON A BRIDGE BELOW CAMERA.
V. O. “Shot designed to give your eyes something to look at while”

FADE TO PEOPLE WALKING ON A BRIDGE TOWARD CAMERA, SLOW IT DOWN, TURN TO MONOCHROME, LIST “LIST”, “APPEAR”, “ONE BY ONE” AND “ON THE SCREEN”.
V. O . “my voice babbles on about facts, sometimes it will slow down and to a halt, turn monochrome and some of those facts will appear, one by one, on the screen. This is followed by the”
6 ONE SECOND MID SHOTS OF OVERWEIGHT PEOPLE WITH THEIR FACES FRAMED OUT, EACH SLIDES INTO THE OTHER.
Background noise of people bustling.
V. O. “Shots of overweight people with their faces subtly framed out. After which, the report is padded out with a selection of lazy and pointless voxpox. 

C.U. OF MALE BYSTANDER.
Background noise of people bustling.
MALE BYSTANDER “Usually get some inane chatter from people.”

M.S. OF FEMALE BYSTANDER.
Background noise of people bustling.
“Think they do have too much. I think what they want to here is actually what’s happening and not what other people think of it.”

M.S. OF OLDER MALE BYSTANDER.
Background noise of people bustling.
Old man doesn’t enunciate. I made out “I don’t want some......no.”

W.S. CROWD ON STREET WALKING, FAST FORWARD.
Background noise of people bustling.
V.O. “Another bit of dull visual abstraction”

W.S. GROUND LEVEL CROWD CROSSING STREET FAST FORWARD.
Background noise of people bustling.
V.O. to plug another gap nap before the report segways”

C.U. CROSS WALK BUTTON.
V.O. “gracefully into a bit of human interest”

M.S. MAN AT TABLE OPENING ENVELOPES.
Ripping paper.
V.O. “Courtesy of some dowdy man opening letters in a kitchen explaining how he’s been affected by the issue.”

C.U. MAN IN KITCHEN. WORDS ACROSS SCREEN “DOWDY KITCHEN MAN”.
Dowdy Kitchen Man: “When I’m watching the news, I don’t really... you know there’s a person talking to me telling me what’s going on, and I don’t really listen to what they’re saying. 

W.S. MAN IN KITCHEN.
Dowdy Kitchen Man: “It’s just news. It’s just news.
V.O. “He unfortunately”

ANIMATED CHART.
V.O. “was boring so to wake you up this is an animated chart,”

SILHOUETTE OF FAMILY WITH THE WORD AVERAGE STAMPED ACROSS.
V.O. “this is a silhouette representing the average family and this is a light”

IMAGE OF LIGHT HOUSE, WITH LIGHT HOUSE KEEPER BEING BEHEADED BY A LASER BEAM.
Laser beam noise.
V.O. “-house keeper being beheaded by a laser beam.”

C.U. PEOPLE WORKING.
Background noise of people bustling.
V.O. As we near the end

C.U. CHINESE WOMAN TAKING PICTURES.
Background noise of people bustling.
V.O. of the report

W.S. PEOPLE WALKING ON A CROSS WALK
V.O. Illustrative shots of the pedestrians 

W.S. SIGNS
V.O. “and signs”

M.S. PIPE AT THE WINDOW
V.P. “and a pipe at a window”

M.S. CHARLIE BROOKER TALKING TO CAMERA, PEOPLE ARE WALKING BEHIND HIM
Brooker: “and the final summary, ending on a whimsical shot of something nearby accompanied by a rye sign off.

WIPE TO SIGN, “REGENT STREET”
V.O. “if your lucky a bit of wordplay fit for a king, or in other woods, a Regent Street, Charlie Brooker, News Wipe, London.

Thursday, February 17, 2011

Online Scripting for Bud Light Commercial





(Set decorated with Bud Light paraphernalia.)
M.S. TWO MEN SWORD FIGHTING.
Swords Clashing.
C.U. ZOOM TO CLEANER PRODUCT.
Bell Rings.
Director: “Cut!”
M.S. TO DIRECTOR ZOOM OUT.
Director: “What’s that doing on my set?”
Assistant: “Product placement, sir.”
C.U. TO ASSISTANT.
Assistant: “Whenever we feature a product on a scene, we get”
M.S. TO DIRECTOR.
Assistant: (cont.) “tons of free stuff.”
Director: “Here we go.”
M.S. DAMSEL IN DISTRESS.
Swords clashing.
Damsel: Indistinguishable screaming.
W.S. MAN JUMPS THROUGH WINDOW.
Glass breaking. Victory music.
M.S. QUICK HERO BATTLE.
Swords clashing. Victory music continues. 
W.S. SEVERAL MEN SWORD FIGHTING.
Swords clashing and music continues.
Men: Grunting.
C.U. MAN HOLDING BUD LIGHT SWORD FIGHTING WITH OTHER HAND.
Swords clashing and music continues.
W.S. DAMSEL IN DISTRESS WITH VILLAIN.
Swords clashing, music continues, sword whips.
C.U. MAN HOLDING BUD LIGHT
Music continues.
Hero: “Really?”
C.U. VILLAIN.
Music continues.
M.S. HERO THROWS BOTTLE
Bottle smashes.
Damsel: Indistinguishable sigh.
W.S. VILLAIN KNOCKED OUT, DAMSEL RELEASED.
W.S. MEN KNEELS, BUD LIGHT TRUCK DRIVES THROUGH SET. 
Truck horn and brakes.
Hero: “My lady.”
C.U. THREE BOTTLES BUD LIGHT, DRIPPING MELTING ICE
Bottles Clanging.
V.O. “Sure sign of a good time. The just right taste of Bud Light. Here we go.”
W.S. DIRECTOR, ASSISTANT, AND TIN MAN MADE OF BUD LIGHT ON SET.
Swords clanging.
Director: “More Bud Light?”

Thursday, February 3, 2011

Queens of Status - Facebook in 60 Seconds Radio Spot



SCRIPT
Join Face Book, if you don’t have a Facebook how do you even have a life?
You’ve been working on that paper for a while, why don’t you look at your news feed.
Join Facebook because EVERYONE has one.
Have you checked you Facebook yet today?
Remember when you you didn’t have a Facebook? And you were friendless?
Join Facebook, because if you weren’t on Facebook you’d just be wasting your precious internet time somewhere else anyways.
Don’t even think about deleting your Facebook because you know well all miss you
Join Facebook because it’s the best website in the world
Just log onto Facebook and forget all your worries
While some people think Facebook is a waste of time, it is clear that those are the losers that don’t have one.
Sign up for Facebook and you’ll never be lonely, guaranteed.
Don’t worry, you won’t procrastinate at everything and become addicted, just join Facebook!

Thursday, January 20, 2011

A Look at Media Culture and Me

Hey Blogosphere! My name is Domenica D'Ottavio and I am from Ludlow (Okemo), VT. I currently live in Burlington, Vermont and attend Champlain College. Over December break, I saw Blue Man Group in Boston with my boss and his wife and it was the coolest thing in the multiverse! 
http://newenglandtrade.com/blog/wp-content/uploads/2010/08/101007-blue-man-group.jpg
What I like about 21 Century Media Culture is it only takes two minutes to get an answer because of Google. What I don't like is how Facebook has made humans become impersonal.

Here's a cool commerical for Google that I am sure everyone has seen:



And as for my future, one day I want to be able to wake up in the morning and not be bummed out about where I have to work.

Monday, January 17, 2011

PANDEMONIUM version 2.0 in Electronic Media Writing

From this point forward I will now be blogging not for Media & Society, but for version 2.0, Electronic Media Writing. Prepare for more intellectually stimulating posts from here on out, pandemonium's back to kick some neocortex ass!


http://s3.amazonaws.com/webjam-upload/the-computer-demands-a-blog___69402af9c46045049769aa360bb1f8a4(550x330)__10__.gif